Slightly over the halfway mark of the RSC Block Party, I had to leave for my paid concert. ElectroLab: Film: Club is a double-bill by electronic artists Yoshihiro Hanno(JPN) and Dickson Dee(HK)(Film) and Aoki Takamasa (JPN)(Club). Once again, my only exposure to them was from the Esplanade site. (I’m such a sucker for the electronic/ IDM/ minimal techno music genre)
First up was Film.
Since the invention of sound motion picture, music accompanying the moving image viewed in a darkened hall has the ability to tell a story without dialogue, evoke emotions and create moments of anticipation and relief.
Film : is a double-bill of filmic music accompanying video art work, a homage to music, sound and the moving image. Film : is the seamless melding of the soundscape of live music by electronic musicians Yoshihiro Hanno a.k.a. RADIQ and Dickson Dee with moving images of the urban Asian landscape by video artists Yukeke Kaida and Chan Pikyu.
I was looking forward as to how they would interpret such images. A thought went back into the era of silent films. How quaint it would be. But 5 mins into the moody intro, quaint would be the last word on my tongue. The film showed random images of burning paper and joss sticks, accompanied by a post-industrial soundtrack. Those who know the term would understand the grating factor. The first part ended in 20 mins. But relief shall have to wait.
The next part showed building and traffic scenes done in “Lomo-action sampler” style. Meaning, multiple frames in a scene with seperate time delay/actions. The soundtrack accompanying delved further into post-industrial and melded into glitch tech. To put things in perspective, if you can stand the constant screeching of nails on a blackboard, this sub-genre is for you. Another 20 mins later, my ears finally gained respite.
The final part, thankfully, was a melancholic piece. A moody B&W arty flick, it follows the life of a wandering man and his dreams. The violin and piano piece was pleasantly fitting. Now this is what I was expecting. As with slice-of-life shows, the 40 mins passed by in a breeze and left me wanting for more.
I wish Capsule would take a tour down here…
An hour later, I returned for the Club segment. After the choice of music from the previous segment, I crossed my fingers, hoping that glitch tech will not be appearing in the playlist. This time around, the center of the recital studio was bare of cushions/seats. I wonder why…
Aoki Takamasa opened up the set with guns a-blazing. Bass booming and feedback reverberating, he kicked it off with some industrial tunes. Hmm, whatever happened to a warm up set? Further on, he mixed in some dub tech and IDM tunes. As the beats took shape, some of the audience stood up and nodded to the music.
30 mins in, a lone beatnik couldn’t hold it in any longer and proceeded to bust a move at center-stage. Man, he popped and locked without a care. A pro, from the looks of it. With the ice broken, others took to the floor and boogied on down. As for me, I was “dancing” in my seat. (I call it the electric chair treatment. Why? Picture this. Arms flailing, legs twitching, toes tapping and head-banging erratically. Not a pretty sight
)
As the music winded down with minimal tech beats, it seemed that leaving the center-stage bare was a good idea after all. As the set ended, the audience were clamouring for more. In reply, Aoki re-appeared for a 10 min IDM set. The appreciative crowd got back into their groove. After the dust had settled from the 90 min set, I could only let out a meek “Whoa. That was some good shit.” Too bad there weren’t any CDs for sale outside the door. Guess I’ll have to keep an eye out for it when I’m re-visiting Tokyo.
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